Creative Genius Search Results

News: 80s SF/Fantasy Revival

The Writers at io9.com have been running through a fantastic series of blog posts, in which they're teaching their readers about the history of great 80s sci-fi and fantasy. Because so much of this is right up my alley, I though I'd aggregate their aggregations, so to speak, and write a little retrospective of my own.

News: Number One and Number Two Go 3D

Start with a platform (just wide enough for someone to stand on) about ten feet in the air. This is our jousting area. Underneath the platform is an inflatable kiddie pool filled with...you guessed it...poo. Not bad enough already, Knoxville and the rest of the crew are standing on ground level with pee filled water guns to add insult to injury. Who wouldn't want to see Steve-O knock Danger Ehren into a pool of poo? Not to mention the great 3D effect you can get with the water guns. A stroke ...

News: Number One and Number Two Go 3D

Number One and Number Two Go 3DSet up a platform, just wide enough for someone to stand on, about ten feet in the air. This is our jousting area. You know, the kind of jousting with the giant Q-tips. Underneath our jousting platform is an inflatable kiddie pool filled with...you guessed it...poo. Too make things worse, on the ground surrounding this jousting match are Knoxville and the rest of the crew with water guns filled with pee. Try and tell me you wouldn't love to see Steve-O knock Ehr...

How To: Create a realistic 3d earth using only After Effects

In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.

How To: Use saturation curves in color with Apple Color

In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.

How To: Use trashing preferences in Final Cut Pro

In this Final Cut Tutorial, Richard Harrington shows you how to clean up the Final Cut application when it starts acting up with bugs or other problems. Many times this can be caused by a corrupt preferences file or other user settings related to Final Cut Studio. These tips are also handy when performing an upgrade installation or reinstallation.

Use Photoshop CS4 feature: Content Aware Scaling

In this episode of Photoshop for Video, Richard Harrington takes a look at a new feature in Adobe Photoshop CS4 called content aware scaling. This feature allows a user to define a region or a graphic to scale or not to scale when the image is resized, giving tremendous flexibility to not have certain parts of a photo distorted when other parts are stretched.

How To: Do keyframing color correction in Final Cut Pro

In this episode of Final Cut Help, Richard Harrington takes a look at keyframing the three way color corrector in FCP. As details change in a movie clip you can have the filter adjust its values over time. This example uses a video of a bird starting in a bright sky and ending in water which is darker, the contrast transition is controlled by keyframing the saturation and color correction.

How To: Fix exposure in Final Cut Pro

In this Final Cut tutorial, Richard Harrington discusses the common problem of backlighting, exposure and what can happen when shooting video outdoors. Proper exposure of all elements in a shoot can be a pain to achieve with a bright sun and blue sky but using the three way color corrector in Final Cut Pro, Richard is able to make all the elements pop.

How To: Use the Auto Blend Command in Photoshop

In this Photoshop tutorial, Richard Harrington takes a look at the auto blend command that allows you to merge multiple pictures together into a single larger document. When you have a large scan and you have to scan it in multiple pieces and then stitch it together or if you want to stitch together panoramic photos for a virtual scene this photography tool becomes quite useful.

How To: Correct white balance in Final Cut Pro

In this Final Cut tutorial, Richard Harrington discusses what to do to correct your film when you shoot footage with the wrong white balance setting. This is a common problem if you step outside after shooting inside and you forget to rewhite balance. Richard uses the three way color corrector to do a digital white balance on the clip inside of Final Cut Pro.

How To: Balance out exposures in images with Photoshop CS4

In this Photoshop tutorial, Richard Harrington takes a look at balancing out exposure issues inside of Photoshop CS4. Mixed lighting on a photo can cause portions of the image to be too bright or too dark, fortunately Photoshop gives us some great tools to take care of these types of issues. Using a levels adjustment layer in combination with a color range selection, Richard is able to greatly control the lighting in a photo. The equalize command is also covered in this video tutorial.