Film Possibilities Search Results

How To: Use saturation curves in color with Apple Color

In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.

How To: Use trashing preferences in Final Cut Pro

In this Final Cut Tutorial, Richard Harrington shows you how to clean up the Final Cut application when it starts acting up with bugs or other problems. Many times this can be caused by a corrupt preferences file or other user settings related to Final Cut Studio. These tips are also handy when performing an upgrade installation or reinstallation.

Use Photoshop CS4 feature: Content Aware Scaling

In this episode of Photoshop for Video, Richard Harrington takes a look at a new feature in Adobe Photoshop CS4 called content aware scaling. This feature allows a user to define a region or a graphic to scale or not to scale when the image is resized, giving tremendous flexibility to not have certain parts of a photo distorted when other parts are stretched.

How To: Do keyframing color correction in Final Cut Pro

In this episode of Final Cut Help, Richard Harrington takes a look at keyframing the three way color corrector in FCP. As details change in a movie clip you can have the filter adjust its values over time. This example uses a video of a bird starting in a bright sky and ending in water which is darker, the contrast transition is controlled by keyframing the saturation and color correction.

How To: Fix exposure in Final Cut Pro

In this Final Cut tutorial, Richard Harrington discusses the common problem of backlighting, exposure and what can happen when shooting video outdoors. Proper exposure of all elements in a shoot can be a pain to achieve with a bright sun and blue sky but using the three way color corrector in Final Cut Pro, Richard is able to make all the elements pop.

How To: Use the Auto Blend Command in Photoshop

In this Photoshop tutorial, Richard Harrington takes a look at the auto blend command that allows you to merge multiple pictures together into a single larger document. When you have a large scan and you have to scan it in multiple pieces and then stitch it together or if you want to stitch together panoramic photos for a virtual scene this photography tool becomes quite useful.

How To: Balance out exposures in images with Photoshop CS4

In this Photoshop tutorial, Richard Harrington takes a look at balancing out exposure issues inside of Photoshop CS4. Mixed lighting on a photo can cause portions of the image to be too bright or too dark, fortunately Photoshop gives us some great tools to take care of these types of issues. Using a levels adjustment layer in combination with a color range selection, Richard is able to greatly control the lighting in a photo. The equalize command is also covered in this video tutorial.

How To: Use compression with turbo in Final Cut Pro

In this Final Cut Pro tutorial, Richard Harrington take a look at the elgato turbo.264. This is a USB add on device that accelereates the h.264 encoding you can do on your Mac. The turbo.264 comes with its own compression software with presets for iPod, iPhone, Sony PSP, AppleTV and YouTube.

How To: Create a realistic 3d earth using only After Effects

In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.

How To: Use alpha channels in Photoshop

In the Photoshop tutorial, Richard Harrington takes a look at making an alpha channel based upon the luminance in an image. Alpha channels allow you to store transparency in a graphic and transfer that transparency to another non-linear video editing program or compositing application and key or composite in real time.

How To: Put electronic makeup on your talent in After Effects

BCC Smooth Tone is an image restoration filter that smoothes out skin imperfections while maintaining image detail and contrast in areas such as hair and eyes. This video tutorial from Paul Ezzy goes over the basics of applying the filter to a clip in AE and provides a brief lesson on how to use PixelChooser to increase the filter's effectiveness.

How To: Output a DV video signal using Adobe Photoshop

In this Photoshop tutorial, Richard Harrington explains how to output a DV video signal directly to a SD video monitor from Adobe Photoshop using a digital video converter via firewire and video preview controls. This is a very helpful tool for making adjustments to your color correction for use in broadcast video.

How To: Use the color range command in Adobe Photoshop

Some free tricks on how to use the color range command in Photoshop. Many people use the old method of utilizing the magic wand tool for selecting areas of color, the color range selection tool has more flexibility and control. Richard walks you through using this tool and shows some new features added in Photoshop CS4.