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News: Unconventional Edit in Mann's "Public Enemies" (DP: Dante Spinotti)

I watched Michael Mann's "Public Enemies" (DP: Dante Spinotti) last night for the first time and was struck by a very unconventional, yet effective (I think), cut. In the opening sequence (video below), Dillinger is driven up to the entrance of a prison and escorted out of the car. The scene is established in a long lens medium wide shot (probably 200mm from 150' away...Note: standard 35mm dimensions, not 2/3"). After a few steps/seconds, it cuts to a wide angle lens closeup (24-2mm from with...

News: Moon

Gotta love Sam Rockwell in this breakout film by David Bowie's son, renamed Duncan Jones so people will take him seriously I guess.  He's got talent, so theres nothing to worry about.

News: Jawes 3D

This is a quite clever minimalistic movie trailer for an otherwise horribly cheesy film.  How long is it going to be before hollywood gives up 3D once and for all?  Here is the movie trailer for "Jaws 3D"

News: The Director and DP collaboration

When one looks at the history of cinema, says The Dark Knight director Christopher Nolan, the director-cinematographer dynamic is the key relationship, “as much as the director and the lead actor.” It’s the defining factor, he says, not only for how a film looks but “how it will be perceived as having been directed.”

How To: Use saturation curves in color with Apple Color

In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.