Your Canon 7D camera can film in video as well as take still photographs, however, the settings will be different. To get the best picture quality possible, here is how you can set up your camera's presets when filming in live action.
In this video, we learn to heat shrink a rear window tint. First, prep your window using soapy water. Next, rinse with car with a soapy cloth and spread on the lather. After this, let it dry and cut the film around the pattern. Next, create an anchor by dampening in an 'h' shape. Next, lay the window film down with the liner side up. Anchor the film onto the window along the 'h' shape. Make sure your fingers are vertical, then heat the film until the lines react. Then, smooth on with the hand...
Marvel's recent string of wildly successful films based on its wildly successful comics have ushered in a whole new era of comic book films. All of the Marvel films have a very cool Marvel logo effect during their opening credits. This video will teach you how to create the same effect for your logo at home using Flash CS3. Now your superhero movie will look much more authentic and professional.
In this Software video tutorial you will learn how to apply the Film Look effect in Final Cut Pro. This is an advanced technique. This essentially takes a video and makes it look like a film. Select the video clip that you want to work with. Then select the ‘color corrector 3 way’ filter. This is under the ‘Effects’ tab. The key to any color correction is to crush the blacks. So, decrease the blacks with the slider. Then increase the whites as films have higher white level. Depending on the s...
In this Final Cut Pro tutorial, learn how to make your digital film look like is came from tape. Step by step, learn how to create that "film look" in just a few clicks of your mouse.
Using Curious Turtle's Film Wash Color Effects in After Effects create a Super 8 look to your film. In this tutorial, you will learn how to build up a color grade using several layers, then using expressions and After Effects own filters to finish the look. To learn more about the Film Wash, visit www.curiousturtle.com
Make a cool drinking or water container, or simply a great decorative gourd ornament. But before you can decorate the gourd, you need to make the decorations. Learn how to make Opals and Fantasy Film glass paper for a gourd.
Learn how to make homemade pendants! It's quite the process, involving a piece of glass (frosted glass with bevel edges is best), Fantasy Film, opals for embossing enamels, and a pool of hot glue. If you want to learn how to make dichroic carnival glass pendants with Fantasy Film and colored opals, then just check out this video tutorial.
This photography tutorial demonstrates how to load a roll of 120 film in a Holga camera. You can use different masks for different shapes of negatives. This vintage camera is difficult to get used to, but once mastered, the Holga is an incredibly versatile film camera.
Watch this instructional photography video to to load a Lomography Diana Plus Camera. You can shoot photos with three main types of film on this camera. This film loading process can be confusing at first, but once mastered this versatile camera can shoot detailed 120 film photographs with ease.
This is a how-to video featuring the A12 film back for a Hasselblad 500 series camera. Watch this photography tutorial to begin using your antique Hasselblad camera and all of its confusing parts. Once you are aware of the unique film loading process for this camera, you can adopt this camera into your photography practice and begin shooting.
One of the long-standing problems of guerilla and indie filmmakers is the quest for exactly what kind of prop gun to use in their films. To help guide you through this quest, Mat Nastos takes a look at all of the options open to filmmakers, including blank firing guns, Airsoft guns, Japanese Model Guns, Real Action Markers and even firing blank loads with real guns. Check out this instructional prop video to learn how to choose a prop gun that's right for your film.
Xander and Calvin go over some ways to help get great sound for your films and videos! This is a great short video with some great tips for making the best sound possible for your low budget, indie film.
Brandon Pinard discusses the most commonly used transitions in television and film: the Cut, the Fade and the Dissolve. He covers the basic definition of each of the three transitions, how they are most commonly used in the film and television industries, and how anyone can improve their own videos with the proper understanding of these transitions.
A ten minute film on how to make your own iPhone belt buckle. This entire idea and design and construction and package creation and the manufacture of 6-8 buckles was done within 24 hours of the iPhone launch, for fun.
Digital video image often lacks the tonality of a film image, but there are ways to make videos look more like film. Israel Hyman will show you how in this tutorial.
Digital SLRs are known for their high image quality, but what about audio? This panel discussion shows you how you can set up your shots and equipment to ensure you get the best possible audio for your next film project.
Three disparate but useful indie filmmaking techniques, one video. One stop shopping just in time for the holidays. This video will teach you how to make day into night with editing, normal things giant with filming, and make actors fall from high places without hurting themselves unduly.
Three awesome film special effects, one video. Ryan at Film Riot sure knows how to make one-stop shopping filmmaking tutorials. This video will show you how to shoot someone's head off, use a jib and dolly together to get more dynamic shots, and also how to make a great cheap light ring.
The shrink ray as always been one of the oddest and least-useful sci-fi guns, but alien invaders seem to love them and so we'll keep seeing them. If you want to use a shrink ray in a film you're working on, watch this video. It will teach you how to first make a generic ray / laser gun, and then how to make an object shrink in After Effects.
If you like to learn filmmaking techniques from internet videos fast, then you've found the holy grail right here. This video will teach you how to do four different effects, including text motion tracked to your shots, motion tracking, make a prop sniper scope, and how to dunk someone's head in a toilet. Bonus points if you can use them all in the same film.
Running over someone's head or burying them alive so that they can rise from the grave are dangerous, and not worth using in filmmaking generally speaking. But yay, there are special effects! Watch this video for a guide to running over someone's head with a car or burying them alive for your film using After Effects and some fun props.
Mystique was quite the sexy character in the recent X-Men films, decked out only in blue latex for much of the films. If you aren't afraid of a little blue on you skin, watch this video to learn how to create a perfect Mystique costume with makeup.
When making your film, you want to make sure that the cameras that you're using, and the pictures and footage that you're taking, have the right exposure. Exposure can make or break your film as far as quality of the footage being presented! In this video you will get a tutorial on how to get the perfect exposure for your footage!
Have you ever wondered how all of the blood and dust that flies from wounds and bullet holes in Hollywood films gets shot through the air so convincingly? The answer is a pneumatic dust system. This video will show you how to make one yourself for almost no money, allowing you to achieve all sorts of cool special effects without any expensive digital technology.
Inception might be the most anticipated movie of the summer, and now that it's out and you've had the chance to bask in it's majesty, you may be wondering if you can use any of it's magic and trickery in your own films. You can! This video will show you how to create the titles like the ones from the Inception trailer using After Effects. It's clean and simple yet dynamic, and sure to make your next film's intro much more appealing.
This video is a 2-for-1 special. It will teach you how to make not one, but TWO cool props for a film or costume. They are, in no particular order, a gas mask / ventilator and a laser pistol. Both look very cool, require some materials and carpentry skills, and are sure to make your next sci-fi film much more realistic and enjoyable to watch.
In this video, we learn how to film skateboarding. First, get a camera that fits your price range and you will be ready to start filming. Next, use a long lens so you capture the best shots of people on their boards and in motion. Next, make sure you capture the lines that the skateboarder is skating on. Use different angles to get the best shot possible. You want to get close to the action, so you will need a fish eye lens. Use your skateboard to follow the skater around. Using these simple ...
Super heros' secret identities are their most guarded secrets. Many choose to protect them with masks, but how to make your mask if you're a new superhero or a filmmaker trying to simulate a super hero? This video will show you how to make your own cheap superhero mask at home, which will be a great prop for your next film or Halloween costume.
If you've ever played through Valve's amazing first-person puzzle game Portal, you probably have dreams and nightmares about orange and blue portals appearing in the walls around you. Do you want to recreate the effect in a film? This video will show you how to create your very own colored wall portals on film using After Effects.
The film Jumper may not have been critically acclaimed, but few can argue with how awesome the special effects that allowed the characters to teleport at will are. They looked great and were applied with great aplomb. This video will show you how to mimic that effect in After Effects, allowing you to make your own teleportation-happy films. I bet you can make one better than Jumper!
Film and television cinematographers love sliding camera shots, especially since ER made them a standard device for television dramas. A professional sliding camera setup is expensive though. Why not make one yourself? This video will show you how to turn $20 into a high-quality filmmaking tool that you can use to give your films some very professional-looking shots. Now get out there and follow that gurney with the camera!
Kevin Hnatiuk (the Digital Dad) shows you how to convert your old Super 8 film reels to DVD, easily at home. Knatiuk goes over how to get started, what you need, and what to expect when digitaizing your super 8mm movies.
This is a great tutorial on making wonderful little artsy butterflies with your own two hands! They're sparkling butterflies, which you make with fantasy film, a butterly image, permanent ink that dries on non-porous surfaces, craft iron, acrylic stamps, and a non-stick craft mat.
Bring a little life to your films, or maybe a little "light". Watch this video to see how to make your own 400-watt video light for film or photography. You can make this video light with mere parts from the local hardware store, such as plastic paneling (which is cheap, easy to cut and non-conductive), zip ties, 4 plastic bulb sockets, lamp cord (like Romex), a cheap plug, and good and cheap diffusion. With all of these materials, you'll have your own homemade light for any film or photo pro...
This is a great tutorial on how to use Sensor-Film to clean a DSLR camera's sensor. You won't believe how easy it is and how clean the sensor gets. Everyone should do this for clear and pristine photos.
Make sure and watch this episode as we tackle another heavily requested effect... making someone look blown in half! Jam packed with cheap special effects, Frisbee fun, and a Test Film guest directed by Maniacal Rage!
This is an Indiana Jones special that shows you how to make your very own crystal skull. You can't miss this episode! Erik dressed as professor Indy, test film by Waverly Films, and much more!
Watch this two part video series to learn how to convert a polaroid super shooter or colorpack camera into a pinhole camera. This video demonstrates how to strip the camera down and make a tripod mount. This is for the 3.25x4.25 pack film cameras: Polaroid 667, 672, 664, 690 and Fuji film FP-100, FP-3000 instant films. The 80 series/square shooters will not work. To determine if your camera will work, measure lengthwise across the back. 17 cm will work, 15 cm will not.
This film was awarded the Green Ribbon in Itami Film Festival, 1993. Learn how various techniques of animation work and see some amazing examples- including an animated pin up girl! The film is in Japanese dialogue with English subtitles.
