DV video is prone to jaggy edges and compression artifacts. BCC 6 AE's new DV Fixer will greatly improve the look of your clip without sacrificing image detail or quality. Watch how it's done inside Adobe After Effects CS4.
In this video tutorial, CreativeCOW contributing editor, Nelson Fernandes demonstrates a method to obtain a quick and dirty mask using the find edges effect combined with the auto-trace feature.
In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.
In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to remove chromatic aberration from your footage using Adobe After Effects. If you are wondering what chromatic aberration is, don't worry he explains that too.
In this 3ds Max tutorial, Michael Hurwicz provides an introduction to the View Cube and the Steering Wheel, new features in 3ds Max 2009 which make it easier to perform viewport navigation operations like orbit, pan and zoom.
In the Photoshop tutorial, Richard Harrington takes a look at making an alpha channel based upon the luminance in an image. Alpha channels allow you to store transparency in a graphic and transfer that transparency to another non-linear video editing program or compositing application and key or composite in real time.
In this Final Cut Pro tutorial, Richard Harrington takes a look at the gradient wipe transition. The gradient wipe transition is a highly customizable transition using greyscale patterns to create your own custom wipes.
In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.
BCC Smooth Tone is an image restoration filter that smoothes out skin imperfections while maintaining image detail and contrast in areas such as hair and eyes. This video tutorial from Paul Ezzy goes over the basics of applying the filter to a clip in AE and provides a brief lesson on how to use PixelChooser to increase the filter's effectiveness.
In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to approach a 2.5D rig removal shot using Photoshop, After Effects and the Mocha AE tracker.
In this video tutorial, Creative Cow leader Tony Ross demonstrates how to create a simple multi-video player in Flash using Actionscript 3. Also learn to have several videos use a single flv player.
In this episode, Aharon shares some tips for simplifying and working with 3D compositions. You will also get a look at some cool tools designed to easily distribute and arrange layers in 3D space, and that help in creating complex 3D shapes.
In this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
In this Final Cut Pro video tutorial you will learn about using the 3-way color corrector with skin tones and how the color corrector behaves when adjusting the color of two subjects in identical scenes.
In this Episode, we will look at some very useful techniques for Trapcode Particular that will give you better control of emitter position in 2D and 3D. You will also learn how to capture the motion of your mouse (or stylus) to control emitter position.
In this Photoshop tutorial, Richard Harrington explains how to output a DV video signal directly to a SD video monitor from Adobe Photoshop using a digital video converter via firewire and video preview controls. This is a very helpful tool for making adjustments to your color correction for use in broadcast video.
In this two part video tutorial, Eran Stern reveals the first text trick in his series and shows how to design an audio waves animation with the After Effects Text Tool.
Some free tricks on how to use the color range command in Photoshop. Many people use the old method of utilizing the magic wand tool for selecting areas of color, the color range selection tool has more flexibility and control. Richard walks you through using this tool and shows some new features added in Photoshop CS4.
In this video tutorial, Eran Stern shows you a technique to enhance your tracking and compositing results by using Mocha AE and RG Warp Corner Pin plug-in.
Exploring the problems associated with blending images that have square and non square pixel formats. Learn about how to fix some of the blunders of pixel aspect ratio mixing and how Photoshop CS4 is trying to help solve some of these pixel nightmares.
In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to build an expression-based vehicle rig that automatically calculates the rotation of its wheels based on the movement of the vehicle chassis.
In this video tutorial, Eran Stern demonstrate the creation of 3D shadows with After Effects built-in filters and compares it to the functions of RG shadow plug-in.
In this video tutorial, Creative Cow leader Michael Park shows you how to achieve that classic introduction to all of the James Bond films using only basic After Effects plugins.
In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to use the Pixel Bender Toolkit to create a recursive image set in Adobe After Effects CS4.
In this video tutorial, Creative Cow Contributing Editor Eran Stern will demonstrate building a reflection using After Effects built-in filters. He will also explore the RG Reflection plug-in.
Native P2 Editing in Final Cut Pro with MXF4mac. Creative Cow is a support community for digital video, video editing, and media production professionals in broadcasting, motion graphics, special FX and film. Creative Cow hosts tutorials in a variety of softwares including Adobe programs (After Effects, Dreamweaver, Flash, Illustrator, InDesign, Photoshop, Premiere), Apple programs, Autodesk, AVID, Cinema 4D, Sony Vegas, Zaxwerks, and much more.
In this video tutorial, Creative Cow contributing editor Grant Swanson demonstrates a quick, easy and very high quality bleach bypass effect right inside of After Effects. Understand what the term refers to and how to simulate it in the digital intermediate process or on digital video, using After Effects.
In this video tutorial, Creative Cow Contributing Editor Eran Stern will show you how to create a simple morph effect using time remapping and pixel motion.
In this tutorial, Broadcast Designer Jason Brown will show you how to knock out a vector logo from Adobe Illustrator into a 3D logo in Maxons Cinema 4D. The tutorial also touches on basic texturing, lighting and animation.
In this video tutorial, Creative Cow Contributing Editor Eran Stern will show you how to create a fiery iris animation which has laser beams shooting from a girls eyes.
The independent film Juno featured one of the most distinctive opening credit sequences in recent memory. It has a wonderful handmade look - which it turned out was created by hand! Whether you have seen Juno or not, Cow leader Simon Bonner shows a much easier way to create unique, handcrafted looks, without the pain.
You've seen it in action before, but now it's finally got a solid release date, well... release month.
This ten-part series on machining skills for prototype development comes straight from MIT & Erik Vaaler. It's one of the most extensive video tutorials available on the web for machining. MIT's artificial intelligence laboratory's primary work is done for their robotics group. And most of their equipment is unavailable to the public because they're machines that MIT have built directly in their machine shop, or items that came into the shop needing repair. But if you can get your hands on so...
I remember a time when I had to rent a VHS from the local video rental store. It wasn't all that bad, with the only real annoyances being the trip to and fro, having to rewind the movie and the possible malfunction of my VHS player, which liked to eat tape from time to time.
New Year's Eve. It will be one hell of a chaotic night. Trust me. The overcrowded streets. Long lines for the urinal. Maxing out your credit card on that shot of Cuervo. You'll be lucky to make it out alive.
The Google Nexus S smartphone is finally here! Well… almost.
In this two part episode, Aharon Rabinowitz shows you how to use audio to control time. You'll learn how to make your video automatically move forward in time to the beat of the music - a technique used in tons of music videos and commercials.
In this two part Photoshop tutorial, Richard Harrington takes a look at the camera raw files and the camera raw interface. Many video professionals do not know much about the camera raw interface because it is a technology mainly used by digital photographers. The key advantage to using with a camera raw file is that the data is usually stored in the picture more than you can normally see in a single exposure.
This is a two part video tutorial. Be sure to click on Chapters 2 as well to get the full tutorial. Taking a look at the popular technique of designing lower thirds and the process it takes to design these using Photoshop. Photoshop is the perfect solution for this task with the ability to mix text, texture, graphics and logos to create compelling titles for your show or video.
In this four part video tutorial, Creative Cow leader Carl Larsen shows you how to create a 360 degree camera-aware environment in After Effects without the use of third-party plug-ins. In part two, build a title sequence within the 360 degree environment created in part one of this tutorial series. Part 3 shows you how to track a lens flare onto the surface of a 360 degree camera-aware environment without the use of a third-party plug-in. Part 4 shows you how to track a lens flare onto a 360...
